Strict Two-Voice Composition—Composing a First-Species Counterpoint

Wharton, R., & Shaffer, K. Strict Two-Voice Composition—Composing a First-Species Counterpoint. Open Music Theory.

Type

Web resource

Intellectual base

Web

Link

https://human.libretexts.org/Bookshelves/Music/Music_Theory/Open_Music_Theory_1e_(Wharton_and_Shaffer_Eds)/02:_Voice-Leading_and_Model_Composition/2.03:_Strict_Two-Voice_Composition_-_Composing_a_First-Species_Counterpoint

Cited by

1 citation across 1 artifact.

Domain-specific

• Consecutive Fifths
  • Species counterpoint and many Renaissance-to-Romantic or common-practice pedagogies direct writers to avoid such progressions between parts treated as independent, often explaining the rule in terms of perceptual fusion or diminished linear independence.

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Registry ID ref:049733a0088c · see in the full table