Der freie Satz

Schenker, H. (1935). Der freie Satz. Free Composition.

Type

Web resource

Intellectual base

Web

Year

1935

Link

https://imslp.org/wiki/Der_freie_Satz_(Schenker,_Heinrich)

Cited from

architecture_urban_planning, literature_literary_theory

Cited by

2 citations across 2 artifacts.

Each citation links to the sentence it supports in the citing article.

Primes

• Close Reading
  • Exegesis and source criticism: word-by-word, sometimes letter-by-letter attention in religious scholarship, and archival document analysis attending to handwriting, paper, deletions, and marginalia. Art authentication, pathology, and music analysis: attending to brushstrokes, pigment, and craquelure at the micron level; to staining patterns and irregular pigmentation as diagnostic evidence; and to bar-by-bar voicing and modulation in Schenkerian analysis.

    This sourceFoundational text of Schenkerian analysis (published posthumously) — bar-by-bar attention to voice leading and structural levels.

• Design Patterns

  • This sourceEstablishes that tonal works across centuries share recurring deep-structural patterns (Ursatz, prolongation, foreground/middleground/background levels). Cited inline in §8 (tier B — supports the music-composition pattern-recurrence claim).

Verification

This reference passed the adversarial substantiation pipeline: it was checked to exist and to support the claim it is attached to. See how references were verified.

Links previously used in the corpus

Before the registry existed this work was also linked 1 other way.

• https://en.wikipedia.org/wiki/Free_Composition ×1

Registry ID ref:0a58231ba6d4 · see in the full table