Rondo¶
Cole. (2001). Rondo. Oxford Music Online.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Domain-specific¶
- Rondo Form
- The distinction is where the novelty lives: in the transformed theme (variations) versus in fresh episodic content set against a stable refrain (rondo). Not a fixed single schema. ABACA is the simplest case, not the definition; the form spans a family — the seven-part ABACABA and ABACADA
This sourceThat rondo is a family of schemata - five-part ABACA, seven-part ABACABA and ABACADA among them - rather than one fixed pattern. What actually carries across the classical rondo, the Baroque ritornello movement and the jazz head-and-solos is the return-anchored architecture, NOT the proportioned section lengths, key relationships and cadential conventions the sentence names.
- The distinction is where the novelty lives: in the transformed theme (variations) versus in fresh episodic content set against a stable refrain (rondo). Not a fixed single schema. ABACA is the simplest case, not the definition; the form spans a family — the seven-part ABACABA and ABACADA
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Registry ID ref:0fcf2651a124 · see in the full table