Overtones and Undertones¶
Brown. (1994). Overtones and Undertones: Reading Film Music. California Press.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Domain-specific¶
- Atonality
- Film and television scoring has exploited this as a semiotic resource: atonal writing carries reliable connotations of unease, alienation, or menace
This sourceA study of how film scores are read that treats atonal and nontonal scoring as an affective resource, from horror films to Berg's Wozzeck.
Supported in partVerified against a saved copy of the source
“generally referred to as atonal, dodecaphonic, or serial, although the latter term”
- Film and television scoring has exploited this as a semiotic resource: atonal writing carries reliable connotations of unease, alienation, or menace
Verification¶
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Registry ID ref:1afcb879aba8 · see in the full table