The Structure of Atonal Music¶
Forte, A. (1973). The Structure of Atonal Music. Yale University Press.
Cited by¶
1 citation across 1 artifact.
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Domain-specific¶
- Atonality
- where the row enforces pitch-equalisation structurally. Post-serial and pitch-class-set practice — later-twentieth-century techniques (controlled aleatoricism, set-based composition) sharing the no-tonic commitment. Music theory and analysis — pitch-class set theory (Forte, Babbitt), the analytical apparatus the property itself motivated
This sourceForte's pitch-class set theory for atonal music, its term and concept credited in the book to Milton Babbitt.
SupportedVerified against the work's full text
“[Pitch-Class] Sets and Relations”
- where the row enforces pitch-equalisation structurally. Post-serial and pitch-class-set practice — later-twentieth-century techniques (controlled aleatoricism, set-based composition) sharing the no-tonic commitment. Music theory and analysis — pitch-class set theory (Forte, Babbitt), the analytical apparatus the property itself motivated
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