Specific Objects.¶
Judd, D. (1965). Specific Objects. Contemporary Sculpture: Arts Yearbook 8.
Cited by¶
3 citations across 3 artifacts.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Abstraction in Art
- The cross-domain transfer of abstraction principles—from Kandinsky's spiritual abstraction to graphic design, from minimalist sculpture (Judd, Andre, Morris) to product design, from formal color theory to data visualization—demonstrates abstraction's universality as a fundamental visual-language abstraction.
This sourceIntroduces the 'specific object' and minimalism's reduction to geometric primitives and industrial materials (bibliography).
- The cross-domain transfer of abstraction principles—from Kandinsky's spiritual abstraction to graphic design, from minimalist sculpture (Judd, Andre, Morris) to product design, from formal color theory to data visualization—demonstrates abstraction's universality as a fundamental visual-language abstraction.
- Minimalism
- The heightened emphasis and weight of remaining elements through reduction in quantity
This sourceFoundational essay introducing the "specific object" and articulating minimalism's reduction of compositional vocabulary to geometric primitives and industrial materials.
- The heightened emphasis and weight of remaining elements through reduction in quantity
- Minimalism in Art
- The radical reduction in compositional vocabulary to a small set of geometric primitives, industrial materials, and essential elements, as Judd (1965) articulated in "Specific Objects"
This sourceFoundational essay introducing the "specific object" and articulating minimalism's reduction of compositional vocabulary to geometric primitives and industrial materials.
- The radical reduction in compositional vocabulary to a small set of geometric primitives, industrial materials, and essential elements, as Judd (1965) articulated in "Specific Objects"
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