Meaning in the Visual Arts

Panofsky, E. (1955). Meaning in the Visual Arts: Papers in and on Art History. Doubleday.

Type

Book

Intellectual base

Review or monograph

Year

1955

Link

https://archive.org/details/meaninginvisuala00panomatched

Cited from

art_aesthetics

Cited by

1 citation across 1 artifact.

Each citation links to the sentence it supports in the citing article.

Primes

• Iconography
  • The repertoire of visual forms (icons, emblems, symbols, figures, colors, attributes) whose meanings are culturally established or formally prescribed

    This sourceCollected essays consolidating Panofsky's iconographic method; develops the repertoire-of-conventional-forms view—how culturally established visual motifs (attributes, postures, allegorical figures) carry prescribed meanings within learned traditions.

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Registry ID ref:35953df569ab · see in the full table