Minimalism¶
Strickland, E. (1993). Minimalism: Origins. Indiana University Press.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Minimalism in Art
- These exemplify the structural signature directly—radical reduction (D37-017: geometric primitives, industrial materials), elimination of narrative (D37-018: no figuration, no symbolism), foregrounding of literalness (D37-019: the work is itself), relocation of meaning (D37-020: spatial relationships and phenomenological encounter), and concentrated weight (D37-021: seriality and proportion carry all content), a development Strickland (1993) reconstructs across painting, sculpture, and architecture
This sourceCross-media history of minimalism's emergence in painting, sculpture, music, and architecture across the postwar United States.
- These exemplify the structural signature directly—radical reduction (D37-017: geometric primitives, industrial materials), elimination of narrative (D37-018: no figuration, no symbolism), foregrounding of literalness (D37-019: the work is itself), relocation of meaning (D37-020: spatial relationships and phenomenological encounter), and concentrated weight (D37-021: seriality and proportion carry all content), a development Strickland (1993) reconstructs across painting, sculpture, and architecture
Verification¶
This reference passed the adversarial substantiation pipeline: it was checked to exist and to support the claim it is attached to. See how references were verified.
Registry ID ref:37a592e9b0a3 · see in the full table