Perceptual scaling of synthesized musical timbres¶
McAdams. (1995). Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes.
Cited by¶
1 citation across 1 artifact.
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Domain-specific¶
- Timbre
- In psychoacoustics, timbre is famously multidimensional rather than scalar — experimentally derived timbre spaces (constructed from listener-dissimilarity ratings and multidimensional scaling) reveal at least three robust axes — brightness or spectral centroid, the attack-onset character, and a roughness or fluctuation dimension — with additional axes depending on the instrument set studied
This sourceThe timbre-space study that recovers three common dimensions (attack rise time, spectral centroid, spectral variation) from dissimilarity ratings via multidimensional scaling, plus sound-specific attributes beyond them.
Supported in partVerified against the source
- In psychoacoustics, timbre is famously multidimensional rather than scalar — experimentally derived timbre spaces (constructed from listener-dissimilarity ratings and multidimensional scaling) reveal at least three robust axes — brightness or spectral centroid, the attack-onset character, and a roughness or fluctuation dimension — with additional axes depending on the instrument set studied
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Registry ID ref:388d0422c545 · see in the full table