Thematischer Leitfaden durch die Musik zu Richard Wagner's Festspiel Der Ring des Nibelungen¶
Wolzogen, H. v. (1876). Thematischer Leitfaden durch die Musik zu Richard Wagner's Festspiel Der Ring des Nibelungen.
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Domain-specific¶
- Leitmotif
- Across roughly fifteen hours of music spanning four operas, Wagner binds a distinctive orchestral figure to every principal character, object, and idea — the Ring, the Sword, Valhalla, the Curse, each hero
This sourceThe original catalogue of the Ring's motives, where the individual figures - Ring, Sword, Walhall, Curse, Siegfried, Siegmund, Brunnhilde and the rest - were first named and traced across the four operas.
- Across roughly fifteen hours of music spanning four operas, Wagner binds a distinctive orchestral figure to every principal character, object, and idea — the Ring, the Sword, Valhalla, the Curse, each hero
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