The Cubist Painters¶
Apollinaire, G. (. (1949). The Cubist Painters: Aesthetic Meditations.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Abstraction in Art
- … works using color, line, and shape as primary content (Kandinsky, Rothko, abstract expressionism); semi-abstract works retaining partial recognizability while emphasizing formal properties (early Cubism, Constructivism), as developed in Apollinaire's (1913) early theorization of cubist abstraction.
This sourceWittenborn. Original French: Les Peintres cubistes: Méditations esthétiques, Paris: Eugène Figuière, 1913. Major early defense of Cubism theorizing its move toward formal abstraction away from mimetic depiction; supports the cubist-abstraction reference (inline, Broad Use).
- … works using color, line, and shape as primary content (Kandinsky, Rothko, abstract expressionism); semi-abstract works retaining partial recognizability while emphasizing formal properties (early Cubism, Constructivism), as developed in Apollinaire's (1913) early theorization of cubist abstraction.
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