The Study of Counterpoint¶
Mann, A. (1965). The Study of Counterpoint: From Johann Joseph Fux's Gradus ad Parnassum. W. W. Norton.
Cited by¶
1 citation across 1 artifact.
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Domain-specific¶
- Counterpoint
- a pedagogical ladder of five species, each introducing a more complex rhythmic relationship between the cantus firmus (the given fixed melody) and the added counterpoint voice — and this framework has remained the pedagogical foundation of Western contrapuntal training into the present
This sourceThe standard English edition, whose editorial introduction documents Gradus as the continuing basis of contrapuntal instruction (Haydn, Mozart, Beethoven, and the conservatory tradition after them).
- a pedagogical ladder of five species, each introducing a more complex rhythmic relationship between the cantus firmus (the given fixed melody) and the added counterpoint voice — and this framework has remained the pedagogical foundation of Western contrapuntal training into the present
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