Early Downhome Blues¶
Titon, J. T. (1977). Early Downhome Blues: A Musical and Cultural Analysis. University of Illinois Press.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Domain-specific¶
- Strophic Form
- Hymnody — congregational hymns whose successive stanzas reuse one melody and harmonisation ("Amazing Grace"), the frame learned once and sung many times. Lullabies and sea shanties — repetitive, easily-learned single-frame songs built for memorability and group participation. The blues — the twelve-bar form carrying changing lyric content over a fixed harmonic and phrase template.
This sourceThe analysis of the twelve-bar, AAB blues stanza as strophic, with different words sung each time the music is repeated.
Supported in partVerified against the work's full text
“the basic approximately [twelve-bar], three-line, AAB form”
- Hymnody — congregational hymns whose successive stanzas reuse one melody and harmonisation ("Amazing Grace"), the frame learned once and sung many times. Lullabies and sea shanties — repetitive, easily-learned single-frame songs built for memorability and group participation. The blues — the twelve-bar form carrying changing lyric content over a fixed harmonic and phrase template.
Verification¶
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Registry ID ref:5bb6108f4565 · see in the full table