Gradus ad Parnassum¶
Fux, J. J. (1725). Gradus ad Parnassum. The Study of Counterpoint.
Cited by¶
2 citations across 2 artifacts.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Polyphony
- Music. Counterpoint, fugue, and choral writing, where two or more melodic lines proceed simultaneously, each shaped by its own contour yet constrained by what the others are doing.
This sourceThe canonical pedagogy of species counterpoint — independent voices, consonance/dissonance rules, the requirement that dissonance resolve by step, and voice-leading by small steps.
- Music. Counterpoint, fugue, and choral writing, where two or more melodic lines proceed simultaneously, each shaped by its own contour yet constrained by what the others are doing.
Domain-specific¶
- Counterpoint
- Johann Joseph Fux's Gradus ad Parnassum (1725) codified these rules into the species system
This sourceFux's Gradus works through the species in order on exercises over a given melody, the pattern of species-counterpoint pedagogy.
SupportedVerified against the work's full text
“Ekhorata a JOANNE JOSEPHO FUX”
- Johann Joseph Fux's Gradus ad Parnassum (1725) codified these rules into the species system
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