The Science of Art¶
Kemp, M. (1990). The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. Yale University Press.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Mechanisms¶
- Perspective Grid Construction
- Whole traditions of picture-making run on it — the tiled-floor pavimento was the workhorse device of quattrocento perspective practice.
This sourceExplains that the receding tiled pavement supplied the scaled framework for distributing forms in Renaissance perspective and documents its repeated use across major works.
- Whole traditions of picture-making run on it — the tiled-floor pavimento was the workhorse device of quattrocento perspective practice.
Verification¶
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Does it back the claim? Not recorded. The single citation of this work carries no recorded support check.
Support is checked per citation rather than per work — the same source can be cited soundly in one article and wrongly in another. Per-citation recording began recently, so a citation with no recorded check is a gap in the record rather than evidence it went unchecked.
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Registry ID ref:62afaefbce10 · see in the full table