Die Farbenlehre im hinblick auf Kunst und Kunstgewerbe¶
Bezold. (1874). Die Farbenlehre im hinblick auf Kunst und Kunstgewerbe.
Cited by¶
1 citation across 1 artifact.
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Domain-specific¶
- Bezold Effect
- Named for Wilhelm von Bezold, who observed it in 1874 while working on textile patterns, the effect is a stable property of human color vision under specific spatial conditions: when the surround elements are fine-grained enough — thin interwoven threads, small dots, narrow stripes — that the visual system cannot resolve them individually but integrates across the local region, the perceived color of the target shifts toward the surround
This sourceBezold's Farbenlehre showing one colour reading differently according to the colour and fineness of the ornament interwoven with it. Bezold's own 1874 Farbenlehre as the source of the defining demonstration of the effect.
Supported in partVerified against the work's full text
“Hälfte lichter durch das daraufstehende feine weisse Ornament, in der andern dunkler durch das Schwarze”
- Named for Wilhelm von Bezold, who observed it in 1874 while working on textile patterns, the effect is a stable property of human color vision under specific spatial conditions: when the surround elements are fine-grained enough — thin interwoven threads, small dots, narrow stripes — that the visual system cannot resolve them individually but integrates across the local region, the perceived color of the target shifts toward the surround
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Registry ID ref:62b112ff6332 · see in the full table