From Cubism to Suprematism: The New Painterly Realism¶
K., M. (1915). From Cubism to Suprematism: The New Painterly Realism: The New Painterly Realism.
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Primes¶
- Abstraction in Art
- Mondrian (1919) and Malevich (1915) exemplify this: Mondrian's reduction of composition to primary colors, black lines, and rectangular fields isolates color harmony and compositional balance as primary content, while Malevich's Black Square radicalizes abstraction by reducing painting to pure geometric form free of any objective reference
This sourcePetrograd. Manifesto accompanying the 0,10 (Last Futurist) Exhibition (Dec. 1915) where Black Square was first shown; founding statement of Suprematism.
- Mondrian (1919) and Malevich (1915) exemplify this: Mondrian's reduction of composition to primary colors, black lines, and rectangular fields isolates color harmony and compositional balance as primary content, while Malevich's Black Square radicalizes abstraction by reducing painting to pure geometric form free of any objective reference
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