The Semantic Evolution of Chromatic Mediants, A Baroque Origin of M8M Progressions¶
Lee, J. Y. H. (2025). The Semantic Evolution of Chromatic Mediants, A Baroque Origin of M8M Progressions. Music Theory Online.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Domain-specific¶
- Chromatic Mediant
- His strict usage is an explicit convention: a broader analytic usage may group some zero-common-tone third relations with chromatic mediants, whereas Kopp calls those disjunct mediants.
This sourceOriginal online article directly inspected; its embedded scores, Erik Heine's transcription, and Miles Goodman's underlying score were not independently inspected.
- His strict usage is an explicit convention: a broader analytic usage may group some zero-common-tone third relations with chromatic mediants, whereas Kopp calls those disjunct mediants.
Verification¶
Does it exist? Not checked yet. This work's DOI is recorded above but has not been resolved against an external catalogue, so nothing here confirms the work exists.
Does it back the claim? Not recorded. The single citation of this work carries no recorded support check.
Support is checked per citation rather than per work — the same source can be cited soundly in one article and wrongly in another. Per-citation recording began recently, so a citation with no recorded check is a gap in the record rather than evidence it went unchecked.
See how references were verified.
Registry ID ref:70908b3474c9 · see in the full table