Classical Design Principles Across Disciplines.

Arnheim, R., Itten, & Wong, W. (2010). Classical Design Principles Across Disciplines.

Retired. This entry was not a citation. Our extractor stored an inline prose definition from the article as though it were a bibliographic record: the title names a concept rather than a published work, and the citation text names no work at all. The page is kept because links to it still resolve, but it is withdrawn from the reference list. This entry is kept so the citations that pointed at it still resolve, and so the correction is visible rather than silent.

Type

Unclassified

Intellectual base

Unclassified

Year

2010

Link

no authoritative link yet

Cited from

art_aesthetics, cognitive_science

Cited by

10 citations across 10 artifacts.

Each citation links to the sentence it supports in the citing article.

Primes

• Color Harmony
  • Listed in the references but not attached to a specific claim.
• Composition
  • Listed in the references but not attached to a specific claim.
• Emphasis (Focal Point)
  • Listed in the references but not attached to a specific claim.
• Figure-Ground

  • This sourceCollected Essays. UNVERIFIED: no such collective volume exists; the three named authors did not co-author a 2010 'Collected Essays'. Bibliography-only (never cited in the body); flagged as a fabricated/spurious bibliography entry, left link-less.

• Juxtaposition
  • Listed in the references but not attached to a specific claim.
• Movement (Visual Movement)
  • Tufte (1997) in Visual Explanations demonstrates how movement principles apply to static information visualization—how the eye can be guided through data through directional layout, sequential visual hierarchy, and compositional flow
• Negative Space
  • Listed in the references but not attached to a specific claim.
• Perspective
  • Listed in the references but not attached to a specific claim.
• Proportion and Scale
  • Listed in the references but not attached to a specific claim.
• Texture
  • The cross-domain transfer of texture principles—from painting to product design to interface design to architecture—demonstrates texture's universality as a fundamental design abstraction

Verification

Does it exist? Not checked yet. This entry carries no identifier to resolve. It was extracted from the citation as written in the article, normalized, and deduplicated against the rest of the registry.

Does it back the claim? Not recorded. Neither this nor any other of the 10 citations of this work carries a recorded support check.

Support is checked per citation rather than per work — the same source can be cited soundly in one article and wrongly in another. Per-citation recording began recently, so a citation with no recorded check is a gap in the record rather than evidence it went unchecked.

See how references were verified.

Registry ID ref:7750c6f42eaa · see in the full table