The Location of Culture¶
Bhabha, H. K. (1994). The Location of Culture. Routledge.
Cited by¶
1 citation across 1 artifact.
Primes¶
- Cultural Friction
- Yet friction also produces fusion: jazz emerged from collision between African rhythmic traditions and European harmonic structures; contemporary art in post-colonial contexts negotiates between indigenous and Western aesthetic systems, the kind of "third space" hybrid form Bhabha (1994) theorizes in his account of cultural translation under colonial and post-colonial conditions.
Supported in partVerified against the work's full text
Bhabha is described as theorising cultural hybridity, ambivalence and cultural translation, which backs the 'third space' clause but not the jazz or contemporary-art halves of the sentence.
“he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent”
- Yet friction also produces fusion: jazz emerged from collision between African rhythmic traditions and European harmonic structures; contemporary art in post-colonial contexts negotiates between indigenous and Western aesthetic systems, the kind of "third space" hybrid form Bhabha (1994) theorizes in his account of cultural translation under colonial and post-colonial conditions.
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Registry ID ref:7f054d2882f2 · see in the full table