Freytag's Technique of the Drama¶
Freytag, G. (1894). Freytag's Technique of the Drama: An Exposition of Dramatic Composition and Art.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Narrative
- Literary theory and film: The canonical home — plot, character arc, point of view, and dramatic structure are the explicit objects of study, from Aristotle's unity of action through Freytag's pyramid to modern narratology's analysis of how discourse rearranges story-time.
This sourceScott, Foresman. Classic five-part model of dramatic structure (Freytag's pyramid), a canonical object of study for plot and dramatic structure in literary and film analysis.
Supported in partVerified against the work's full text
Freytag's own text sets out the five-part pyramidal structure and discusses Aristotle on unity of action, but says nothing of film or modern narratology.
“It rises from the introduction with the entrance of the exciting forces to the climax”
- Literary theory and film: The canonical home — plot, character arc, point of view, and dramatic structure are the explicit objects of study, from Aristotle's unity of action through Freytag's pyramid to modern narratology's analysis of how discourse rearranges story-time.
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Registry ID ref:85475e9b6660 · see in the full table