The Expert versus the Object¶
Spencer, R. D. (2004). The Expert versus the Object: Judging Fakes and False Attributions in the Visual Arts. Oxford University Press.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Authentication
- Art and collectibles — provenance research, stylistic analysis, materials testing, and expert attestation that bind a claimed origin to evidence.
This sourceStates that three lines of inquiry are basic to determining authenticity — a connoisseur's evaluation, historical documentation (provenance), and scientific testing — a multi-channel authentication procedure with a mixed anchor structure (expert reputation, archival records, laboratory).
- Art and collectibles — provenance research, stylistic analysis, materials testing, and expert attestation that bind a claimed origin to evidence.
Verification¶
Does it exist? Not checked yet. This entry carries no identifier to resolve. It was extracted from the citation as written in the article, normalized, and deduplicated against the rest of the registry.
Does it back the claim? Not recorded. The single citation of this work carries no recorded support check.
Support is checked per citation rather than per work — the same source can be cited soundly in one article and wrongly in another. Per-citation recording began recently, so a citation with no recorded check is a gap in the record rather than evidence it went unchecked.
See how references were verified.
Registry ID ref:87dfed67b2ad · see in the full table