Le Néo-Plasticisme¶
Mondrian, P. N. i. P. A. (1920). Le Néo-Plasticisme. De Nieuwe Beelding in de schilderkunst, 2(1917–1918).
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Abstraction in Art
- Mondrian (1919) and Malevich (1915) exemplify this: Mondrian's reduction of composition to primary colors, black lines, and rectangular fields isolates color harmony and compositional balance as primary content, while Malevich's Black Square radicalizes abstraction by reducing painting to pure geometric form free of any objective reference
This sourceDe Stijl manifesto reducing painting to primary colors, black lines, and rectangular fields; supports the Mondrian/Malevich pure-geometric-abstraction example (D37-007). [Pre-internet primary; link is to a reputable movement overview, no edition page available.]
- Mondrian (1919) and Malevich (1915) exemplify this: Mondrian's reduction of composition to primary colors, black lines, and rectangular fields isolates color harmony and compositional balance as primary content, while Malevich's Black Square radicalizes abstraction by reducing painting to pure geometric form free of any objective reference
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