Twentieth-Century Music¶
Morgan, R. P. (1991). Twentieth-Century Music: A History of Musical Style in Modern Europe and America. W. W. Norton.
Cited by¶
1 citation across 1 artifact.
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Domain-specific¶
- Through-Composed Form
- The German Lied — Schubert's Erlkönig the canonical case, where each shift of dramatic voice brings new material and the piano ostinato carries continuity without producing return. Operatic scena and dramatic monologue — extended dramatic numbers that follow the text's irreversible progress rather than settling into verses or a refrain. Early-twentieth-century art music — works that deliberately avoid clear sectional return, defining themselves against the recurrence-based forms they decline
This sourceMorgan's Twentieth-Century Music, which describes the weakening of sectional contrast and the altered role of recapitulation in early-twentieth-century art music.
Supported in partVerified against a saved copy of the source
“The concept of recapitulation, one of the cornerstones of the traditional view of form”
- The German Lied — Schubert's Erlkönig the canonical case, where each shift of dramatic voice brings new material and the piano ostinato carries continuity without producing return. Operatic scena and dramatic monologue — extended dramatic numbers that follow the text's irreversible progress rather than settling into verses or a refrain. Early-twentieth-century art music — works that deliberately avoid clear sectional return, defining themselves against the recurrence-based forms they decline
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