Tonal Consonance and Critical Bandwidth¶
Plomp, R., & Levelt, W. J. M. (1965). Tonal Consonance and Critical Bandwidth. The Journal of the Acoustical Society of America.
Cited by¶
1 citation across 1 artifact.
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Domain-specific¶
- Consonance
- The music-cognitive and psychoacoustic research tradition (Helmholtz's 1863 roughness account; the Plomp-Levelt 1965 critical-band model) grounds the sensory dimension of consonance in cochlear mechanics
This sourceCritical-bandwidth account of tonal consonance, in which the consonant/dissonant difference follows from the frequency-ratio behaviour of tonal components within a critical band. Critical-bandwidth model's prediction that small-integer ratios are consonant while intervals whose partials fall within a critical band are rough.
Supported in partVerified against the publisher's abstract
“theories are reviewed on the explanation of tonal consonance as the singular nature of tone intervals with frequency ratios corresponding with small integer numbers”
- The music-cognitive and psychoacoustic research tradition (Helmholtz's 1863 roughness account; the Plomp-Levelt 1965 critical-band model) grounds the sensory dimension of consonance in cochlear mechanics
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Registry ID ref:9f0008a9db6e · see in the full table