Die Cultur der Renaissance in Italien¶
Burckhardt, J. (1860). Die Cultur der Renaissance in Italien.
Cited by¶
2 citations across 2 artifacts.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Great Man Theory
- Periodization
- Burckhardt's (1860) treatment of the Renaissance in Die Cultur der Renaissance in Italien exemplifies this signature: he partitioned European cultural history at roughly 1400–1500 CE, assigned features of aesthetic, humanistic, and civic renewal to the "Renaissance" interval, justified the boundary by appeal to documentary evidence of intellectual reorientation, and applied the partition to make specific claims about the relationship between political circumstance and cultural flowering that would have been incoherent under a different periodization.
This sourceFoundational text establishing the Renaissance as a distinct historical period defined by aesthetic, humanistic, and civic renewal; exemplifies the six-component structural signature of periodization.
Supported in partVerified against the work's full text
Garbled OCR of Burckhardt shows the Renaissance treated as a rebirth-defined Italian epoch tied to its political states, but no 1400-1500 boundary or counterfactual argument.
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- Burckhardt's (1860) treatment of the Renaissance in Die Cultur der Renaissance in Italien exemplifies this signature: he partitioned European cultural history at roughly 1400–1500 CE, assigned features of aesthetic, humanistic, and civic renewal to the "Renaissance" interval, justified the boundary by appeal to documentary evidence of intellectual reorientation, and applied the partition to make specific claims about the relationship between political circumstance and cultural flowering that would have been incoherent under a different periodization.
Verification¶
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Registry ID ref:a1cb4b7e7d4a · see in the full table