Art and Visual Perception¶
Arnheim, R. (1954). Art and Visual Perception: A Psychology of the Creative Eye. University of California Press.
Cited by¶
3 citations across 3 artifacts.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Abstraction in Art
- The reliance on formal perception and interpretive cognition rather than narrative or symbolic reference (Arnheim, 1954)
This sourceApplies gestalt psychology to art and composition; supports the reliance-on-formal-perception/interpretive-cognition signature (D37-005).
- The reliance on formal perception and interpretive cognition rather than narrative or symbolic reference (Arnheim, 1954)
- Gestalt Principles
- T3: Principle-violation-as-feature tension. Deliberate violation of gestalt expectations can produce effect (tension, disruption, surprise, artistic impact) that aligned design cannot — but the effect depends on the baseline of gestalt-aligned perception being the default expectation, a tension Arnheim (1954) develops at length in Art and Visual Perception by analyzing how artistic compositions deploy controlled gestalt violations against a predominantly aligned background to generate visual force and meaning.
This sourceApplies gestalt psychology to composition, developing how artistic works deploy controlled gestalt violations against a predominantly aligned background (interacting balancing 'visual forces' generating tension) to create force and meaning.
- T3: Principle-violation-as-feature tension. Deliberate violation of gestalt expectations can produce effect (tension, disruption, surprise, artistic impact) that aligned design cannot — but the effect depends on the baseline of gestalt-aligned perception being the default expectation, a tension Arnheim (1954) develops at length in Art and Visual Perception by analyzing how artistic compositions deploy controlled gestalt violations against a predominantly aligned background to generate visual force and meaning.
Domain-specific¶
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Links previously used in the corpus¶
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