Rashomon¶
Kurosawa, A., & Richie, D. (1987). Rashomon: Akira Kurosawa, Director. Rutgers University Press.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Domain-specific¶
- Diegetic Level
- Film critics use exactly this apparatus to make sense of Akira Kurosawa's Rashomon (1950), where a woodcutter, a bandit, a wife, and (through a medium) a dead samurai each narrate mutually contradictory accounts of the same killing, told as embedded flashbacks within a courtyard/gate frame
This sourceA critical volume on Kurosawa's Rashomon describing the woodcutter's, priest's, bandit's, wife's and medium-reported samurai's conflicting testimonies told in flashbacks within the gate frame.
Supported in partVerified against a saved copy of the source
“how he managed to capture the bandit. His story is broken into by the bandit, who tells the apparent truth”
- Film critics use exactly this apparatus to make sense of Akira Kurosawa's Rashomon (1950), where a woodcutter, a bandit, a wife, and (through a medium) a dead samurai each narrate mutually contradictory accounts of the same killing, told as embedded flashbacks within a courtyard/gate frame
Verification¶
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Registry ID ref:bdae0d45ee60 · see in the full table