Multidimensional perceptual scaling of musical timbres¶
Grey. (1977). Multidimensional perceptual scaling of musical timbres.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Domain-specific¶
- Timbre
- John Grey's 1977 study in the Journal of the Acoustical Society of America put this on a formal footing: from listeners' dissimilarity ratings of sixteen instrument tones equalised in pitch, loudness, and duration, multidimensional scaling recovered a roughly three-dimensional timbre space whose axes corresponded to spectral energy distribution (brightness), spectral fluctuation, and attack character
This sourceGrey's MDS study of sixteen pitch-, loudness- and duration-equalised synthesized instrument tones, yielding a three-dimensional timbre space of spectral energy distribution, spectral fluctuation/transient synchrony and attack character.
SupportedVerified against the source
- John Grey's 1977 study in the Journal of the Acoustical Society of America put this on a formal footing: from listeners' dissimilarity ratings of sixteen instrument tones equalised in pitch, loudness, and duration, multidimensional scaling recovered a roughly three-dimensional timbre space whose axes corresponded to spectral energy distribution (brightness), spectral fluctuation, and attack character
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Registry ID ref:c317e5198126 · see in the full table