The Sense of Order¶
Gombrich, E. H. (1979). The Sense of Order: A Study in the Psychology of Decorative Art. Cornell University Press.
Cited by¶
2 citations across 2 artifacts.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Motif
- Visual art, design, and architecture: repeating ornamental motifs (the acanthus leaf, the Greek key, the paisley), brand marks recurring across a campaign, UI motifs in design systems, and structural-ornamental motifs in built form (column orders, vault patterns).
This sourceStudy of recurring ornamental motifs (acanthus, Greek key, etc.) and their variation across decorative and architectural traditions.
- Visual art, design, and architecture: repeating ornamental motifs (the acanthus leaf, the Greek key, the paisley), brand marks recurring across a campaign, UI motifs in design systems, and structural-ornamental motifs in built form (column orders, vault patterns).
- Ornamentation
- The perceptual unity of object and ornament—the ornament perceived as integral to the object's identity rather than extraneous addition, grounded in the perceptual psychology Gombrich (1979) developed in The Sense of Order
This sourceDevelops a perceptual psychology of ornament: pattern, rhythm, and the interplay of regularity and break that govern visual engagement with decorative form.
- The perceptual unity of object and ornament—the ornament perceived as integral to the object's identity rather than extraneous addition, grounded in the perceptual psychology Gombrich (1979) developed in The Sense of Order
Verification¶
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