The Cinematic Form¶
Eisenstein, S. M. (1929). The Cinematic Form. Toward a Theory of Montage.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Juxtaposition
- Juxtaposition originated in visual art (Renaissance diptychs, collage movements, montage) and has evolved into a foundational principle across media (film, literature, rhetoric), analytical practice (comparative method in social science, case-based reasoning in law and medicine), machine learning (contrastive learning methods), and information design (side-by-side data visualization, A/B testing interfaces)
This sourceIn Toward a Theory of Montage (M. Glenny & S. Lovell, Trans.). I.B. Tauris (1991 ed.).
- Juxtaposition originated in visual art (Renaissance diptychs, collage movements, montage) and has evolved into a foundational principle across media (film, literature, rhetoric), analytical practice (comparative method in social science, case-based reasoning in law and medicine), machine learning (contrastive learning methods), and information design (side-by-side data visualization, A/B testing interfaces)
Verification¶
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Registry ID ref:df179e4990e0 · see in the full table