The Cinematic Form¶
Eisenstein, S. M. (1929). The Cinematic Form. Toward a Theory of Montage.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Juxtaposition
- Juxtaposition originated in visual art (Renaissance diptychs, collage movements, montage) and has evolved into a foundational principle across media (film, literature, rhetoric), analytical practice (comparative method in social science, case-based reasoning in law and medicine), machine learning (contrastive learning methods), and information design (side-by-side data visualization, A/B testing interfaces)
This sourceIn Toward a Theory of Montage (M. Glenny & S. Lovell, Trans.). I.B. Tauris (1991 ed.).
- Juxtaposition originated in visual art (Renaissance diptychs, collage movements, montage) and has evolved into a foundational principle across media (film, literature, rhetoric), analytical practice (comparative method in social science, case-based reasoning in law and medicine), machine learning (contrastive learning methods), and information design (side-by-side data visualization, A/B testing interfaces)
Verification¶
Does it exist? Not checked yet. This entry carries no identifier to resolve. It was extracted from the citation as written in the article, normalized, and deduplicated against the rest of the registry.
Does it back the claim? Not recorded. The single citation of this work carries no recorded support check.
Was it audited? Yes. A second, independent pass read the citation against the article text and recorded a verdict.
Support is checked per citation rather than per work — the same source can be cited soundly in one article and wrongly in another. Per-citation recording began recently, so a citation with no recorded check is a gap in the record rather than evidence it went unchecked.
See how references were verified.
Registry ID ref:df179e4990e0 · see in the full table