The Sublime is Now¶
Newman, B. (1948). The Sublime is Now. Tiger's Eye, 1(6), 51-53.
Cited by¶
1 citation across 1 artifact.
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Primes¶
- Abstraction in Art
- Artistic abstraction, by contrast, relies on formal perception and interpretive cognition independent of cultural symbolic convention, drawing on what Pollock (1947) called direct engagement with the physical act of painting and what Newman (1948) framed as the "sublime is now."
This sourceManifesto positioning American abstract painting as the contemporary site of the sublime (bibliography; pre-internet artist's statement, no stable authoritative link).
- Artistic abstraction, by contrast, relies on formal perception and interpretive cognition independent of cultural symbolic convention, drawing on what Pollock (1947) called direct engagement with the physical act of painting and what Newman (1948) framed as the "sublime is now."
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