Symbols of Eternity¶
Sullivan, M. (1979). Symbols of Eternity: The Art of Landscape Painting in China. Stanford University Press.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Abstraction in Art
- Sullivan (1979) demonstrates that comparable formal-abstract perception underwrites the millennia-long Chinese landscape tradition, suggesting that abstraction's structural logic is cross-cultural rather than uniquely modernist-Western.
This sourceCross-cultural study demonstrating a non-Western lineage of formal abstraction in brushwork, void, and philosophical structure; supports the cross-cultural-reach claim (inline, Knowledge Transfer).
- Sullivan (1979) demonstrates that comparable formal-abstract perception underwrites the millennia-long Chinese landscape tradition, suggesting that abstraction's structural logic is cross-cultural rather than uniquely modernist-Western.
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Registry ID ref:eb722911b03f · see in the full table