Abstraction and Empathy: A Contribution to the Psychology of Style¶
Worringer, W. (. (1908/1997). Abstraction and Empathy: A Contribution to the Psychology of Style: A Contribution to the Psychology of Style.
Cited by¶
1 citation across 1 artifact.
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Primes¶
- Abstraction in Art
- The shift from depicting recognizable objects to expressing emotional or conceptual truths through formal abstraction (Worringer, 1908)
This sourceIvan R. Dee. Original German: Abstraktion und Einfühlung, Munich: R. Piper, 1908. Distinguishes the empathetic urge (organic depiction) from the abstraction urge (inorganic/geometric form); supports the depict-to-express shift signature (D37-004).
Supported in partVerified against the work's full text
Worringer distinguishes an organic empathy art from an inorganic abstraction art, but not a shift from depiction to expressing emotional or conceptual truths.
“the urge to abstraction finds its beauty in the life-denying inorganic, in the crystalline”
- The shift from depicting recognizable objects to expressing emotional or conceptual truths through formal abstraction (Worringer, 1908)
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