Chromatic Third Relations in the Music of John Coltrane¶
Demsey, D. (1991). Chromatic Third Relations in the Music of John Coltrane. Annual Review of Jazz Studies, 145-180.
Cited by¶
1 citation across 1 artifact.
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Domain-specific¶
- Coltrane Changes
- The three tonics form an augmented-triad set: beginning on B gives B, G, and E♭ under descending-major-third motion before returning to B. John Coltrane made this cycle structurally explicit in “Giant Steps” and used it as a reharmonization matrix in “Countdown.”
This sourceFoundational scholarly analysis of the historical and structural third relations in Coltrane's music; bibliographic record at https://jazztheory.ssac.carleton.ca/view.php?id=149.
- The three tonics form an augmented-triad set: beginning on B gives B, G, and E♭ under descending-major-third motion before returning to B. John Coltrane made this cycle structurally explicit in “Giant Steps” and used it as a reharmonization matrix in “Countdown.”
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