Harmony and Voice Leading¶
Aldwell, E., & Schachter, C. (2003). Harmony and Voice Leading.
Cited by¶
1 citation across 1 artifact.
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Domain-specific¶
- Pedal Point
- A dominant pedal — the most common form in common-practice Western art music — holds the fifth scale degree in the bass through harmonies that traverse distant chords (often including tonic-six-four, secondary dominants, and chromatic passing chords), creating a long arch of increasing harmonic pressure that resolves when the tonic finally arrives, confirmed by a bass note the listener has been hearing all along
This sourceThe pedal point (or organ point) as a tone held static in one voice - typically the bass - while the other voices move.
Supported in partVerified against a saved copy of the source
“28. Compositional function. The {{{pedal}}} point (or organ point) consists”
- A dominant pedal — the most common form in common-practice Western art music — holds the fifth scale degree in the bass through harmonies that traverse distant chords (often including tonic-six-four, secondary dominants, and chromatic passing chords), creating a long arch of increasing harmonic pressure that resolves when the tonic finally arrives, confirmed by a bass note the listener has been hearing all along
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