Tonal Harmony, with an Introduction to Twentieth-Century Music¶
Kostka, S., & Payne, D. (2013). Tonal Harmony, with an Introduction to Twentieth-Century Music. McGraw-Hill.
Cited by¶
1 citation across 1 artifact.
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Domain-specific¶
- Pedal Point
- The device recurs structurally in the development sections of fugues, where a long dominant pedal accumulates tension toward the stretto and the final entry; in the drone-bass traditions of modal and folk music (bagpipe, hurdy-gurdy, tanpura), where a continuously sounding tonic or fifth grounds melodic material that wanders away from and returns to it; and in counterpoint pedagogy, where the pedal point is classified as a class of non-harmonic tone distinguished by its durational length and its placement typically in the bass rather than an upper voice
This sourceThe harmony-textbook classification of the pedal point as the last of the nonchord tones, normally in the bass (an inverted pedal point being one in another part).
Supported in partVerified against the source
- The device recurs structurally in the development sections of fugues, where a long dominant pedal accumulates tension toward the stretto and the final entry; in the drone-bass traditions of modal and folk music (bagpipe, hurdy-gurdy, tanpura), where a continuously sounding tonic or fifth grounds melodic material that wanders away from and returns to it; and in counterpoint pedagogy, where the pedal point is classified as a class of non-harmonic tone distinguished by its durational length and its placement typically in the bass rather than an upper voice
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Registry ID ref:194a678f336f · see in the full table