Dave Garibaldi¶
Griffith, M. (2024). Dave Garibaldi.
Cited by¶
1 citation across 1 artifact.
Each citation links to the sentence it supports in the citing article.
Domain-specific¶
- Linear Drumming
- David Garibaldi's Future Sounds develops contemporary linear styles through groove and permutation studies, while Mark Griffith, writing for the Percussive Arts Society, describes his characteristic funk language as sixteenth-note grooves with all (or most) of the notes played separately
This sourceMark Griffith's signed Hall of Fame profile for the Percussive Arts Society, the source of the characterisation quoted here - 'a funky sixteenth-note based groove that had all (or most) of the notes played separately'. It names Future Sounds but does not describe its groove and permutation studies, which rest on the book itself. Attests the term inside the drumming community — Griffith writes of 'what has since been coined "linear drumming"' — with the pedagogical side of the convention resting on the method literature, notably Chaffee's Linear Time Playing. Attests the looser usage in print - Griffith writes of a groove with 'all (or most) of the notes played separately' - which is why the sentence is scoped to published accounts rather than to educators as a class.
- David Garibaldi's Future Sounds develops contemporary linear styles through groove and permutation studies, while Mark Griffith, writing for the Percussive Arts Society, describes his characteristic funk language as sixteenth-note grooves with all (or most) of the notes played separately
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