The Art of Memory¶
Yates, F. A. (1966). The Art of Memory. Routledge.
Cited by¶
3 citations across 3 artifacts.
Each citation links to the sentence it supports in the citing article.
Primes¶
- Memory Palace (Method of Loci)
- The distinctive power of the Memory Palace rests on the multisensory vivid encoding and the spatial-cognition substrate: the technique exploits the brain's highly-developed spatial and visual memory systems, which are vastly more capacious and durable than serial-verbal memory.
This sourceDefinitive historical synthesis tracing Memory Palace from classical antiquity through medieval and Renaissance memory traditions, Giordano Bruno, and the early modern period. historical synthesis of technique across classical to early modern period
- The distinctive power of the Memory Palace rests on the multisensory vivid encoding and the spatial-cognition substrate: the technique exploits the brain's highly-developed spatial and visual memory systems, which are vastly more capacious and durable than serial-verbal memory.
- Spatial Indexing
- In cognitive psychology, the method of loci embeds items-to-remember at locations in an imagined building, with recall proceeding by mental walk — the brain's spatial navigation machinery repurposed as a retrieval index.
This sourceThe standard scholarly history of the method of loci (memory palace), in which items are embedded at locations in an imagined building and recalled by mental walk.
- In cognitive psychology, the method of loci embeds items-to-remember at locations in an imagined building, with recall proceeding by mental walk — the brain's spatial navigation machinery repurposed as a retrieval index.
Mechanisms¶
- Memory Palace Layout
- This is exactly why the classical ars memoriae stored a speech's parts in the rooms of grand, well-known buildings — the architecture supplied durable, ordered addresses.
This sourceDescribes the classical architectural mnemonic in which speech images occupy ordered places in a memorized building.
- This is exactly why the classical ars memoriae stored a speech's parts in the rooms of grand, well-known buildings — the architecture supplied durable, ordered addresses.
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